Untamed Audio

Effects with teeth.

These aren't pictures of pedals — they work. Plug in, turn the knobs, hit the switches, and play every effect right here in your browser. Physically modeled plugins for Mac, iPad & iPhone.

EMBER

A full drive chain in one pedal. Overdrive underneath, fuzz on top, compression holding the whole thing together — from a little heat to completely burned out.

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COIL & SLAB

Two reverbs, two pieces of metal: one stretches springs, the other shakes a sheet of steel. Both have an amp hiding inside, and neither behaves quite like a normal reverb. 99¢ each, sold separately. Collect both.

COMING SOON

COIL

Spring reverb that fights back. A physically modelled tank with dwell, tone and mix. And yes — you can kick it.

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COMING SOON

SLAB

A plate reverb you can play. 25,000 resonant modes, a mechanical damper, and a swell foot that lets the whole thing get out of hand.

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THE MACHINES

Effects built from things that weren't supposed to be effects: a movie projector. A locomotive. A box fan. A nuclear reactor. Four machines, four very different ways to make a terrible idea sound good.

COMING SOON

REEL

Sound from the other side of the screen. Ribbon mic, tube, optical print, projector, theatre — the whole chain in one pedal. Hold the switch and the film jams.

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COMING SOON

LOCO

A train running around your guitar. Real acceleration, real Doppler, one locomotive making laps around the listener. Hold the brake if you'd like to make things worse.

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COMING SOON

ROBO

Turns out the box fan was an audio effect all along. One spinning rotor, three-four-five blades, absolutely no vocoder. Hold the switch to unplug it.

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COMING SOON

A.L.A.R.A.

Split atoms in your basement. A sub-octave bass machine with no pitch tracking; the harder you play, the hotter the reactor gets. The gauge is there for a reason.

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THE GARDEN

Things get a little strange out here. The machinery ends at the gate: painted objects, moving parts, effects that don't look much like audio plugins. For now, there's one.

COMING SOON

LOVELY

A Leslie you can step on. Two rotors with real inertia — the horn gets there first, the drum takes its time. Hold the switch and bring the whole thing to a stop.

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We make weird little machines for sound.

No subscriptions. No giant bundles. No twenty-page manuals. Just effects we'd want on our own pedalboards — and you can play every one of them before you buy it.

Pick something and make some noise.